We are a London audio studio that handles the full chain in-house, from the first creative idea through to broadcast-ready delivery. That covers bespoke music composition, sound design and foley, voiceover, mixing, mastering, and final delivery to platform spec.

One team, one point of accountability, from brief to final file. Fewer vendors, tighter creative control, nothing lost in the handover.

Everything is written from scratch around your project. We don't resell library tracks dressed up as custom work.

Stock music is available to everyone, which means the same track can turn up in your film and a competitor's ad three weeks later. Bespoke audio is yours alone, built to fit the tone, narrative, and audience of the work, and no one else's.

Film/TV, documentary, advertising and brand campaigns, luxury and fashion, sports and broadcast, corporate and education.

Recent work includes The Good Doctor (ABC/Sony), TNT Sports Premier League, the Swarovski 125th Anniversary campaign, and Cupra x Calm x Moncrieff. The range is deliberate. We shape the team around the brief rather than forcing every project through one house sound.

For most projects we work to a simple milestone structure: 30% to confirm the booking and secure our team, 30% at the mid-point, and 40% on final delivery.

Rush projects are usually split 50/50, and retainers are billed monthly in advance. Scope, deliverables, revisions, and payment terms are all agreed in writing before we start.

It scales with the work, but as a guide: a first draft on a short piece usually lands within a week, a short film around four weeks, and a feature around eight.

If you're against a tight deadline, we run a rush service with a guaranteed turnaround. Either way, we confirm a realistic timeline with you before anything kicks off.

We're based in London and work with clients wherever they are. The whole process is built to run remotely, with live review sessions and timestamped feedback, so you stay in the creative conversation without needing to be in the room.

In-person sessions are on the table when a project calls for them.

Most projects include three rounds of revisions. Longer scoring work runs as a collaborative, milestone-based process rather than fixed rounds, because that's how the best results happen.

Once the final payment clears, you receive full usage rights for the agreed use and territory. We keep the right to feature the work in our portfolio and a credit as the audio producer, unless the project is under NDA.

The best first step is a short call so we can understand the project and what you're trying to achieve. No pitch, just a proper conversation about the work.

For bigger pieces, like a full sonic identity, we usually begin with a focused scoping project that defines the direction before any larger commitment. From there we build a clear proposal, and you decide if it's right.